Rotating Intersection - Pavilion
This Page is currently being updated. Thank you for your patience.
Concept of "rotating intersection," where four squares intersect at varying angles to create unique spatial experiences
The pavilion design revolves around the concept of "rotating intersection," where four squares intersect at varying angles to create unique spatial experiences. These intersections are more than just geometric overlaps; they shape the essence of the design, creating dynamic "in-between zones" that serve as architectural transitions between programs. These zones are emphasized through variations in materiality, ceiling heights, and natural light, offering visitors a nuanced experience as they move through the space.
Location:
Ghent, New York, USA
Role:
Architecture
Phasing:
Pre-Design
Schematic Design
Class:
University of Southern California (USC)
ARCH 505A
Design Year:
2024
Photo Credit:
Ryan Tyler Martinez
Instructors:
Ryan Tyler Martinez
Erin Kasimow
Jimenez Lai
Background
This project is part of a collaboration between architects and artists at Art Omi, located in Ghent, New York, within the scenic Hudson Valley. Art Omi spans 120 acres and includes a Sculpture & Architecture Park, galleries, residency programs, and arts education initiatives. The recently launched Art Omi Pavilions initiative will expand the site with 18 new pavilions across 190 acres in Chatham, designed to host curated exhibitions by celebrated artists and collectors. This multiphase project emphasizes interdisciplinary collaboration, featuring contributions from artists such as Alice Aycock and Torkwase Dyson and architectural firms like SO — IL, Jahn, and BKSK Architects. Students visited Art Omi in New York to learn about the site, as well as other artists and architects’ showcased work.
Design
The pavilion is organized across two levels to balance public and private functions. The first floor houses public programs, including a Welcome Lobby, Gallery Spaces, and a Café. These spaces are designed to be vibrant and inviting, encouraging exploration and interaction. The second floor is reserved for private uses, such as an office and storage, offering a quieter environment for administrative tasks. This clear division of functions is enhanced by the spatial transitions that occur in the intersecting zones.
The heart of the design lies in the in-between zones, where the intersecting squares overlap. These spaces are articulated through architectural elements like varying ceiling heights and skylights, which create unique atmospheres and guide the visitor’s journey through the pavilion.
Process
The design process began with a focus on geometric experimentation, exploring how intersecting squares at different angles could create functional yet compelling spaces. From this foundation, the idea of emphasizing the "in-between zones" emerged, transforming what might otherwise be overlooked into key design features. The integration of natural light through skylights and careful attention to ceiling heights were deliberate decisions to enhance these zones and enrich the user experience.
Materiality
Materiality is integral to the pavilion’s concept. Concrete serves as the primary structural material, providing strength and a sense of permanence to the design. In contrast, terrazzo is used as a dynamic accent material, bringing color, texture, and visual interest to the space. The terrazzo varies in aggregate size and color, emphasizing the unique character of each program and guiding visitors through the pavilion. This material differentiation is particularly evident in the in-between zones, where it highlights the intersections of the squares and underscores the concept of transition.
Physical Model
This pavilion is more than a functional structure—it is a spatial narrative that explores the interplay of geometry, materiality, and light. By blending solid concrete with the vibrant, textured nature of terrazzo, the design creates a dialogue between structure and fluidity, permanence and change. Visitors are invited to experience the architecture as a journey, discovering the richness of its intersecting forms as they move through its spaces.
Unauthorized use of any image or text is prohibited in any use. Images cannot be altered or modified in any way, in whole or in part, that disparages Jae Bin Lee or any of the collaborators.